Some of Ginsburg's constructions are influenced by seventeenth-century Dutch perspective boxes and still-life painting. Her fascination with this orderly, controlled world is reflected in her three-dimensional extensions of still-life painting. Some of the objects in her constructions are commonplace household items, but they are presented in a cubist-like format that emphasizes structural arrangement. Each object is displayed in a way that allows multiple views to be seen simultaneously. The constructions are independent and self-sufficient, and these reconstructed compositions form strikingly handsome and perpetually fascinating worlds.